Changing perspective – getting closer, moving around – allows you to appreciate a work of art in a different way.

This is especially true for the sculptures of the royal portal, particularly the smaller ones located within the tympanums, several meters above the viewers’ heads.

Viewed from the ground, at an angle of at least 40° and a distance of at least 5 meters, the proportions of the figures tend to appear shortened, their positions seem rigid – and, truth be told, the precious sense of life is somewhat diminished.

Scene showing the Presentation in the Temple. It is located in the right-hand bay, dedicated to the Incarnation of Christ - above a first lintel, which shows the episodes linked to his birth: Annunciation, Visitation and Nativity. The artistic level of these figures has often been emphasized... without taking a closer look above © NDC
The old man Simeon seems to be in a hurry. Rarely in Romanesque art is there such an impression of movement © NDC
He seizes the child. A joyful expression, as he sees the savior. Everything is impressive: the decorated skullcap (small holes), the finesse of the locks, the elegance of the gestures, supported by the drapery © NDC
The face of the elderly Simeon: what an expression of happiness, restrained yet vibrant! © NDC
Simeon is followed by a woman, who is carrying doves as offerings © NDC
The pensive air is emphasized by the head veil and the wavy hair © NDC
Among the offering bearers (left side), a woman and a man. Both look deeply contemplative. They are dressed in their finest garments and carefully holding the doves © NDC
The man's inward expression is enhanced by the naturalness of his hair © NDC
The next two men, under the decorative arches of this scene. The faces are quite similar, but differ in the choice of hair © NDC
A young man with curly hair. He turns his head in the direction of the temple altar © NDC
Wisely waved around a central parting, the hair reveals lively eyes © NDC
Mary. Opposite (right side), the mother of Christ stretches out her arms © NDC
Joseph, probably. The animated eyes turn toward the viewer © NDC
A succession of several figures. The last of these, cut vertically, suggests that this block was carved at a later date. This adaptation of the sculpture (produced elsewhere than in Chartres? designed for another location? created for a first project corresponding to a larger location?) is the subject of debate © NDC
Woman 1 - What a beautiful, pensive look! © NDC
The same woman, changing her point of view. The eyes then draw a smile... © NDC
Woman 2 - The simplicity of the sculpture (hair, face) also explains the softness that emanates from it © NDC