To the questions that reach the rectorate of the cathedral – especially through the guides of the Visitor Service – we sometimes answer in images. The subjects are varied and sometimes highlight unsuspected aspects of the cathedral…
A visitor’s question: “What is the sculpted wooden cornice located in the southern gallery of the crypt, in the section between the wooden door and Udo Zembok’s ‘wall of light’? It’s hung at head height. How old is it, and where does it come from?”…
This is the “Beam of Glory”, which once spanned the choir, hence its exceptional length: it is made from a single piece of oak, measuring approximately 15 meters.
It is known that the beam was suspended by two chains from the vaults of the choir, several meters high. In fact, various marks from these attachments can still be seen above the beam. It defined the “sanctuary” space in the layout that preceded the Victor Louis choir, which has now been restored (1766–1789). At that time, it was positioned at the level of the fourth bay. The beam was likely taken down around 1763, coinciding with the destruction of the rood screen.
It is probable that this beam once supported figures of Mary and John at the foot of a cross. However, the fate of these statues remains unknown.
As for the style of the beam, it dates back to the 16th century, with a richly detailed decoration featuring cherubs, animals (dolphins, griffins), and vegetal motifs (palmettes, scrolls, and olive branches). Several “shirts” -the emblem of the cathedral chapter- can also be seen, marking this object as part of the cathedral’s heritage.
